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I could probably EQ this out to get something similar to the V1, but why bother when the switch is right there? In the G setting, the low-end is pushed even further back, with the weight now almost completely lost and the scratchy, edgy upper mids pushed forward even further. None of the voicings have the airy quality of a high-end condenser mic and if that is the style of vocal you are searching for, you’re still going to be better off with When phantom power is detected, the mic activates a built-in Class A preamp, increasing the output of the microphone, from a low 1mV/Pa sensitivity at 1kHz into 1 kilo-ohm up to 150mV/Pa. Towards the end of 2018, Aston started leaking information about a new microphone coming early this year, and we’ve managed to get our hands on one of the first examples. Similarly, Aston spotted another voicing that was the preferred choice for a variety of guitars. This is similar to using a device such as the Cloudlifter CL-1 with comparably low-sensitivity mics such as the Shure SM7B. In the run-up to the Swedish producer’s next album, Diving For Lost Treasure, he walks us through the emotive and upbeat single. But the energy was still there – not quite as powerful as the V1 voicing, but more controlled and a little less boomy. Like the SM7B and RE-20, the Stealth is considerably larger and heavier than the SM58. The second voicing, V2, similarly relates to the voicing chosen by the panel as being the preferred voicing for female voices. Rather than try and take on the industry-standard Shure SM58, as so many other microphone manufacturers have attempted to do, Aston has taken inspiration for the Stealth from the likes of the Shure SM7B and Electro-Voice RE20 – dynamic microphones that are often thought to have more in common with large-diaphragm condensers than their dynamic siblings. So let your own ears guide you. Read our interview with Aston Microphones’ James Young and Jack Munro on its new Stealth model. The voicing descriptions prove to be fairly accurate: on a male tenor vocal, the V1 voicing has a deep clarity and weight that was lost on the V2 setting. Aston Stealth: Multi Voice Dynamic Microphone - ブロードキャスト品質を実現した、全く新しいコンセプトのダイナミック・マイク 専用回路により実現した4種のボイス・パターンを搭載。 Astonサウン … This LED requires phantom power to be turned on and is not the only feature on the mic that makes use of 48V phantom power. Open chords ring out clearly and carry immense power, although barre chords and finger-picking-style playing starts to feel a little muted in comparison. Since the release of these models, Aston has added a small-diaphragm condenser, the Aston Starlight, as well as recording accessories – the Aston Halo and Halo Shadow reflection filters, plus the Aston SwiftShield, Shield GN and Swift pop shields and shockmount – to its range. This alone is an outstanding achievement. With 4 switchable voices delivering unparalleled performance in almost any situation, a Class A built in mic … Aston’s latest microphone is a versatile dynamic. The versatility on offer here is huge, but, equally, Aston hasn’t compromised on quality in order to provide four voices. And at only £359, The G setting is more open and honest to the character of the amp, and perhaps paired with the humbuckers of a Les Paul rather than the single-coils of a Strat, would take the prize. Should you want the mic to be a little more noticeable, a switch on the underside enables you to turn on a built-in purple LED around the base of the mic. Combining these two unassuming features can garner inspiring results. Aston like to innovate with their mics, and the new Stealth — as the company's first dynamic mic — is no exception. Use with or without 48v Phantom Power Aston Stealth works with or without 48V phantom power. We find out why 10 Grammy Award-winning producers are endorsing a pair of wireless earbuds. Switching to V2, the open chords lose a little of their energy, but the barre and finger-picked styles start to come into their own more, with more of the guitars’ natural presence being picked up by the slightly more enhanced upper midrange. Looking at frequency plots for each voicing doesn’t reveal too much. this is a quick way of expanding your mic closet. The intended setting was never a terrible sound, and if you’re in a rush, this will do a fine job, but in a couple of instances, we found ourselves preferring the darker sound of the D voicing. The V2 pushes the upper-midrange forward at the expense of the low end, giving the resulting performance a slightly nasal and scratchy characteristic. As with its previous microphones, Aston developed the Stealth with a team of top engineers, producers and musicians to ensure that the final voicing was something that professionals would be happy to use. Our exploration of LiquidSonics’ oeuvre reaches its celestial summit, as we ascend to seventh heaven. You can always unsubscribe (so you won't receive any more e-mails) by clicking on the unsubscribe link at the bottom of each e-mail. Does Waves’ newest multi-layered modulation plug-in offer us maximum sonic colour? Other inexpensive microphone brands might be popular among musicians with home studios, but very few have made the leap into big studios. In only a few short years, Aston Microphones has become a studio favourite around the world. In either scenario, you will still need an external mic preamp, but the difference in level is significant enough that you will find it much easier to get a healthy level with the active mode engaged. 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